"Across the Universe" (Lennon – December 12, 1969)
Let It Be – Side 2, Track 7 (3:47)
YouTube (Rufus Wainwright)
From Wikipedia, Rolling Stone and About.com –
"Across the Universe" is a song recorded by the Beatles. It was written by John Lennon, and credited to Lennon–McCartney. The song first appeared on the various artists charity compilation album No One's Gonna Change Our World in December 1969, and later, in different form, on Let It Be, the group's final released album.
Composition –
One night in 1967, the phrase "words are flowing out like endless rain into a paper cup" came to Lennon after hearing his ex-wife Cynthia, according to Lennon, "going on and on about something." Later, after "she'd gone to sleep—and I kept hearing these words over and over, flowing like an endless stream," Lennon went downstairs and turned it into a song. He began to write the rest of the lyrics and when he was done, he went to bed and forgot about them.
I was lying next to my first wife in bed and I was thinking. It started off as a negative song and she must have been going on and on about something. She'd gone to sleep and I kept hearing, 'Words are flowing out like endless streams...' I was a bit irritated and I went downstairs and it turned into a sort of cosmic song rather than, 'Why are you always mouthing off at me?'... The words are purely inspirational and were given to me - except for maybe one or two where I had to resolve a line or something like that. I don't own it; it came through like that. ”
The flavor of the song was heavily influenced by Lennon's and the Beatles' interest in Transcendental Meditation in late 1967 – early 1968, when the song was composed. Based on this he added the mantra "Jai guru deva om" (Sanskrit: जय गुरुदेव ॐ) to the piece, which became the link to the chorus. The Sanskrit phrase is a sentence fragment whose words could have many meanings. Literally it approximates as "glory to the shining remover of darkness," and can be paraphrased as "Victory to God divine", "Hail to the divine guru", or the phrase commonly invoked by the late Maharishi Mahesh Yogi in referring to his spiritual teacher "All Glory to Guru Dev."
The song's lyrical structure is straightforward: three repetitions of a unit consisting of a verse, the line "Jai guru deva om" and the line "Nothing's gonna change my world" repeated four times. The lyrics are highly image-based, with abstract concepts deified with phrases like thoughts "meandering", words "slithering", and undying love "shining". The title phrase "across the universe" appears at intervals to finish lines, although it never cadences, always appearing as a rising figure, melodically unresolved. It finishes on the leading note; to the Western musical ear, the next musical note would be the tonic and would therefore sound complete.
In his 1970 interview with Rolling Stone, Lennon referred to the song as perhaps the best, most poetic lyric he ever wrote: "It's one of the best lyrics I've written. In fact, it could be the best. It's good poetry, or whatever you call it, without chewin' it. See, the ones I like are the ones that stand as words, without melody. They don't have to have any melody, like a poem, you can read them."
Musical structure –
The song is in the key of D and the verse beginning "Words are flowing out" (I (D) chord) is notable for a prolonged vi (Bm)- iii (F#m) to ii7 (Em7) minor drop to the dominant chord V7 (A7) on "across the universe" in the 4th bar. On the repeat of this chord sequence a beautiful turn following the ii7 (Em7) through a iv minor (Gm) brings the verse to a close before moving on directly to the tonic on the "Jai Guru Deva Om" refrain. The vi-ii minor drop leading to V had been used earlier in "I Will" (on "how long I've loved you) and George Harrison utilised a shorter vi-iii minor alternation to delay getting back to the dominant (V) in "I Need You". The verse beginning "Words are flowing out like endless rain..." is also notable for the suitably breathless phrasing and almost constant 8th note rhythm (initially four D melody notes, then C#,B,A,B).
Recordings –
February 1968 recordings
In February 1968, the Beatles convened at the EMI Abbey Road studios to record a single for release during their absence on their forthcoming trip to India. Paul McCartneyhad written "Lady Madonna" and Lennon, "Across the Universe". Both tracks were recorded along with Lennon's "Hey Bulldog" and the vocal track for George's "The Inner Light" between the 3 and 11 of February.
The basic track was successfully recorded on 4 February. Along with the basic rhythm track of acoustic guitar, percussion and tambura, it featured an overdubbed sitar introduction by George Harrison. Two teenaged fans, Lizzie Bravo and Gayleen Pease, were invited in off the street to provide backup vocals.
Lennon still wasn't satisfied with the feel of the track and several sound effects were taped, including 15 seconds of humming and a guitar and a harp-like sound, both to be played backwards; however, none of these were used on the released version. The track was mixed to mono and put aside as the group had decided to release "Lady Madonna" and "The Inner Light" as the single. On their return from India, the group set about recording the many songs they had written there, and "Across the Universe" remained on the shelf. In the autumn of 1968, the Beatles seriously considered releasing an EP including most of the songs for the Yellow Submarine album and "Across the Universe", and went as far as having the EP mastered.
World Wildlife Fund version
During the February 1968 recording sessions, Spike Milligan dropped into the studio and, on hearing the song, suggested the track would be ideal for release on a charity album he was organizing for the World Wildlife Fund. At some point in 1968, the Beatles agreed to this proposal. In January 1969, the best mono mix was remixed for the charity album. In keeping with the "wildlife" theme of the album, sound effects of birds were added to the beginning and end. The original (mono) mix from February 1968 is 3:37 minutes in length. After the effects were added, the track was sped up so that even with 20 seconds of effects, it is only 3:49. By October 1969, it was decided that the song needed to be remixed into stereo. This was done by Geoff Emerick immediately prior to the banding of the album. "Across the Universe" was first released in this version on the Regal Starline SRS 5013 album, No One's Gonna Change Our World, in December 1969.
This version was issued on three Beatle compilation albums, the British version of Rarities, the different American version of Rarities and the second disc of the two-CD Past Masters album.
Let It Be version
The Beatles took the song up again during the Get Back/Let It Be rehearsal sessions of January 1969; footage of Lennon playing the song appeared in the Let It Be movie. Bootleg recordings from the sessions include numerous full group performances of the song, usually with Lennon–McCartney harmonies on the chorus. To ensure the album tied in with the film it was decided the song must be included on what by January 1970 had become the Let It Be album. Also, Lennon's contributions to the sessions were sparse, and this unreleased piece was seen as a way to fill the gap.
Although the song was extensively rehearsed on the Twickenham Studios soundstage the only recordings were mono transcriptions for use in the film soundtrack. No multitrack recordings were made after the group's move to Apple Studios. Thus in early January 1970 Glyn Johns remixed the February 1968 recording. The new mix omitted the teenaged girls' vocals and the bird sound effects of the World Wildlife Fund version. As neither of the Glyn Johns Get Back albums were officially released, the version most people are familiar with came from Phil Spector, who in late March and early April 1970 remixed the February 1968 recording yet again and added orchestral and choral overdubs. Spector also slowed the track to 3:47, close to its original speed. According to Lennon, "Spector took the tape and did a damn good job with it."
Other versions
A previously-unreleased February 1968 alternate take of the song (recorded before the master), without heavy production, appeared on Anthology 2 in 1996. This is often referred to as the "psychedelic" recording because of the strong Indian sitar and tambura sound, and illustrates the band's original uncertainty over the best treatment for the song.
The February 1968 master was remixed again for inclusion on Let It Be... Naked in 2003, at the correct speed but stripped of most of the instrumentation, and digitally processed to correct tuning issues.
Critical reception and legacy –
Music critic Richie Unterberger of Allmusic said the song was "one of the group's most delicate and cosmic ballads," and "was one of the highlights of the Let It Be album." Music critic Ian MacDonald was critical of the song, calling it a "plaintively babyish incantation" and saying "its vague pretensions and listless melody are rather too obviously the products of acid grandiosity rendered gentle by sheer exhaustion."
On 4 February 2008, at 00:00 UTC, NASA transmitted the Interstellar Message "Across the Universe" in the direction of the star Polaris, 431 light years from Earth. The transmission was made using a 70m antenna in the Deep Space Network's Madrid Deep Space Communication Complex, located outside of Madrid, Spain. It was done with an "X band" transmitter, radiating into the antenna at 18 kW. This was done to celebrate the 40th anniversary of the song's recording, the 45th anniversary of the Deep Space Network (DSN), and the 50th anniversary of NASA. The idea was hatched by Beatles historian Martin Lewis, who encouraged all Beatles fans to play the track as it was beamed to the distant star. The event marked the first time a song had ever been intentionally transmitted into deep space, and was approved by McCartney, Yoko Ono, and Apple Corps. (The first musical interstellar message was "1st Theremin Concert to Aliens", section 2 of the Teen Age Message, in 2001.)
The name of Arjen Anthony Lucassen's first solo album Pools of Sorrow, Waves of Joy, released in 1996, comes from a quote of "Across the Universe", which is one of Lucassen's favorite songs.
Recording –
Takes: 8
Personnel
(Let It Be version)
John Lennon – Lead vocal, acoustic guitar, rhythm guitar
Paul McCartney – Piano
George Harrison – Tambura, electric guitar
Ringo Starr – Maracas, drums
Uncredited – Strings and choir
(1968 version)
John Lennon – Lead vocal, acoustic guitar
George Harrison – Tambura, sitar
Ringo Starr – Maracas
Additional musicians
Lizzie Bravo and Gayleen Pease – Backing vocalProduction
George Martin – Hammond organ, producer (1968 version)
Phil Spector – Producer (1970 version)
Ken Scott & Martin Benge – Original 1968 engineers
Jeff Jarratt – Remix engineer (1969 "No One's Gonna Change Our World" version)
Peter Bown & Mike Sheady – Recording & remix engineers (1970 version)
Trivia –
Let It Be – Side 2, Track 7 (3:47)
YouTube (Rufus Wainwright)
From Wikipedia, Rolling Stone and About.com –
"Across the Universe" is a song recorded by the Beatles. It was written by John Lennon, and credited to Lennon–McCartney. The song first appeared on the various artists charity compilation album No One's Gonna Change Our World in December 1969, and later, in different form, on Let It Be, the group's final released album.
Composition –
One night in 1967, the phrase "words are flowing out like endless rain into a paper cup" came to Lennon after hearing his ex-wife Cynthia, according to Lennon, "going on and on about something." Later, after "she'd gone to sleep—and I kept hearing these words over and over, flowing like an endless stream," Lennon went downstairs and turned it into a song. He began to write the rest of the lyrics and when he was done, he went to bed and forgot about them.
I was lying next to my first wife in bed and I was thinking. It started off as a negative song and she must have been going on and on about something. She'd gone to sleep and I kept hearing, 'Words are flowing out like endless streams...' I was a bit irritated and I went downstairs and it turned into a sort of cosmic song rather than, 'Why are you always mouthing off at me?'... The words are purely inspirational and were given to me - except for maybe one or two where I had to resolve a line or something like that. I don't own it; it came through like that. ”
The flavor of the song was heavily influenced by Lennon's and the Beatles' interest in Transcendental Meditation in late 1967 – early 1968, when the song was composed. Based on this he added the mantra "Jai guru deva om" (Sanskrit: जय गुरुदेव ॐ) to the piece, which became the link to the chorus. The Sanskrit phrase is a sentence fragment whose words could have many meanings. Literally it approximates as "glory to the shining remover of darkness," and can be paraphrased as "Victory to God divine", "Hail to the divine guru", or the phrase commonly invoked by the late Maharishi Mahesh Yogi in referring to his spiritual teacher "All Glory to Guru Dev."
The song's lyrical structure is straightforward: three repetitions of a unit consisting of a verse, the line "Jai guru deva om" and the line "Nothing's gonna change my world" repeated four times. The lyrics are highly image-based, with abstract concepts deified with phrases like thoughts "meandering", words "slithering", and undying love "shining". The title phrase "across the universe" appears at intervals to finish lines, although it never cadences, always appearing as a rising figure, melodically unresolved. It finishes on the leading note; to the Western musical ear, the next musical note would be the tonic and would therefore sound complete.
In his 1970 interview with Rolling Stone, Lennon referred to the song as perhaps the best, most poetic lyric he ever wrote: "It's one of the best lyrics I've written. In fact, it could be the best. It's good poetry, or whatever you call it, without chewin' it. See, the ones I like are the ones that stand as words, without melody. They don't have to have any melody, like a poem, you can read them."
Musical structure –
The song is in the key of D and the verse beginning "Words are flowing out" (I (D) chord) is notable for a prolonged vi (Bm)- iii (F#m) to ii7 (Em7) minor drop to the dominant chord V7 (A7) on "across the universe" in the 4th bar. On the repeat of this chord sequence a beautiful turn following the ii7 (Em7) through a iv minor (Gm) brings the verse to a close before moving on directly to the tonic on the "Jai Guru Deva Om" refrain. The vi-ii minor drop leading to V had been used earlier in "I Will" (on "how long I've loved you) and George Harrison utilised a shorter vi-iii minor alternation to delay getting back to the dominant (V) in "I Need You". The verse beginning "Words are flowing out like endless rain..." is also notable for the suitably breathless phrasing and almost constant 8th note rhythm (initially four D melody notes, then C#,B,A,B).
Recordings –
February 1968 recordings
In February 1968, the Beatles convened at the EMI Abbey Road studios to record a single for release during their absence on their forthcoming trip to India. Paul McCartneyhad written "Lady Madonna" and Lennon, "Across the Universe". Both tracks were recorded along with Lennon's "Hey Bulldog" and the vocal track for George's "The Inner Light" between the 3 and 11 of February.
The basic track was successfully recorded on 4 February. Along with the basic rhythm track of acoustic guitar, percussion and tambura, it featured an overdubbed sitar introduction by George Harrison. Two teenaged fans, Lizzie Bravo and Gayleen Pease, were invited in off the street to provide backup vocals.
Lennon still wasn't satisfied with the feel of the track and several sound effects were taped, including 15 seconds of humming and a guitar and a harp-like sound, both to be played backwards; however, none of these were used on the released version. The track was mixed to mono and put aside as the group had decided to release "Lady Madonna" and "The Inner Light" as the single. On their return from India, the group set about recording the many songs they had written there, and "Across the Universe" remained on the shelf. In the autumn of 1968, the Beatles seriously considered releasing an EP including most of the songs for the Yellow Submarine album and "Across the Universe", and went as far as having the EP mastered.
World Wildlife Fund version
During the February 1968 recording sessions, Spike Milligan dropped into the studio and, on hearing the song, suggested the track would be ideal for release on a charity album he was organizing for the World Wildlife Fund. At some point in 1968, the Beatles agreed to this proposal. In January 1969, the best mono mix was remixed for the charity album. In keeping with the "wildlife" theme of the album, sound effects of birds were added to the beginning and end. The original (mono) mix from February 1968 is 3:37 minutes in length. After the effects were added, the track was sped up so that even with 20 seconds of effects, it is only 3:49. By October 1969, it was decided that the song needed to be remixed into stereo. This was done by Geoff Emerick immediately prior to the banding of the album. "Across the Universe" was first released in this version on the Regal Starline SRS 5013 album, No One's Gonna Change Our World, in December 1969.
This version was issued on three Beatle compilation albums, the British version of Rarities, the different American version of Rarities and the second disc of the two-CD Past Masters album.
Let It Be version
The Beatles took the song up again during the Get Back/Let It Be rehearsal sessions of January 1969; footage of Lennon playing the song appeared in the Let It Be movie. Bootleg recordings from the sessions include numerous full group performances of the song, usually with Lennon–McCartney harmonies on the chorus. To ensure the album tied in with the film it was decided the song must be included on what by January 1970 had become the Let It Be album. Also, Lennon's contributions to the sessions were sparse, and this unreleased piece was seen as a way to fill the gap.
Although the song was extensively rehearsed on the Twickenham Studios soundstage the only recordings were mono transcriptions for use in the film soundtrack. No multitrack recordings were made after the group's move to Apple Studios. Thus in early January 1970 Glyn Johns remixed the February 1968 recording. The new mix omitted the teenaged girls' vocals and the bird sound effects of the World Wildlife Fund version. As neither of the Glyn Johns Get Back albums were officially released, the version most people are familiar with came from Phil Spector, who in late March and early April 1970 remixed the February 1968 recording yet again and added orchestral and choral overdubs. Spector also slowed the track to 3:47, close to its original speed. According to Lennon, "Spector took the tape and did a damn good job with it."
Other versions
A previously-unreleased February 1968 alternate take of the song (recorded before the master), without heavy production, appeared on Anthology 2 in 1996. This is often referred to as the "psychedelic" recording because of the strong Indian sitar and tambura sound, and illustrates the band's original uncertainty over the best treatment for the song.
The February 1968 master was remixed again for inclusion on Let It Be... Naked in 2003, at the correct speed but stripped of most of the instrumentation, and digitally processed to correct tuning issues.
Critical reception and legacy –
Music critic Richie Unterberger of Allmusic said the song was "one of the group's most delicate and cosmic ballads," and "was one of the highlights of the Let It Be album." Music critic Ian MacDonald was critical of the song, calling it a "plaintively babyish incantation" and saying "its vague pretensions and listless melody are rather too obviously the products of acid grandiosity rendered gentle by sheer exhaustion."
On 4 February 2008, at 00:00 UTC, NASA transmitted the Interstellar Message "Across the Universe" in the direction of the star Polaris, 431 light years from Earth. The transmission was made using a 70m antenna in the Deep Space Network's Madrid Deep Space Communication Complex, located outside of Madrid, Spain. It was done with an "X band" transmitter, radiating into the antenna at 18 kW. This was done to celebrate the 40th anniversary of the song's recording, the 45th anniversary of the Deep Space Network (DSN), and the 50th anniversary of NASA. The idea was hatched by Beatles historian Martin Lewis, who encouraged all Beatles fans to play the track as it was beamed to the distant star. The event marked the first time a song had ever been intentionally transmitted into deep space, and was approved by McCartney, Yoko Ono, and Apple Corps. (The first musical interstellar message was "1st Theremin Concert to Aliens", section 2 of the Teen Age Message, in 2001.)
The name of Arjen Anthony Lucassen's first solo album Pools of Sorrow, Waves of Joy, released in 1996, comes from a quote of "Across the Universe", which is one of Lucassen's favorite songs.
Recording –
Takes: 8
Personnel
(Let It Be version)
John Lennon – Lead vocal, acoustic guitar, rhythm guitar
Paul McCartney – Piano
George Harrison – Tambura, electric guitar
Ringo Starr – Maracas, drums
Uncredited – Strings and choir
(1968 version)
John Lennon – Lead vocal, acoustic guitar
George Harrison – Tambura, sitar
Ringo Starr – Maracas
Additional musicians
Lizzie Bravo and Gayleen Pease – Backing vocalProduction
George Martin – Hammond organ, producer (1968 version)
Phil Spector – Producer (1970 version)
Ken Scott & Martin Benge – Original 1968 engineers
Jeff Jarratt – Remix engineer (1969 "No One's Gonna Change Our World" version)
Peter Bown & Mike Sheady – Recording & remix engineers (1970 version)
Trivia –
This song was also considered for inclusion on an aborted Yellow Submarine soundtrack EP, though it does not appear in the film.
John Lennon himself plays guitar on David Bowie's cover version.
The original version of the song, at normal speed and without sound effects, can be heard on Anthology 2. It features Starr on svaramandal and a sitar intro by George, and is in the key of D, while the sped-up WWF version approaches E flat, and Spector's slowed-down version is closer to D flat. The Anthology 2 version also corrects the pitch of the voices and instruments so that they're not slightly out-of-tune; this had never happened with any other version.
The 2007 film Across the Universe, which features characters singing Beatles classics, took its name from this song.
On February 4, 2008, the 40th anniversary of the song, "Across the Universe" was beamed into deep space by NASA, at the same moment that millions of Beatles fans played the song, in unison, at home.
Today in Beatles History (From The Internet Beatles Album) January 16 –
1957 – The Cavern Club opens.
1963 – The Playhouse Theatre, Manchester. 8.45-9.30pm. Recording for BBC's "Here We Go": "Chains"; "Please Please Me"; "Ask Me Why"; "Three Cool Cats".
– Recording of several interviews for the BBC.
1964 – News arrive from the USA at the George V hotel, Paris, that "I Want To Hold Your Hand" is number 1 (US Cashbox chart). The celebrations that follow are so exultant that Brian allows himself to be photographed wearing a chamber-pot on his head.
– Performance at the Olympia, Paris, with Silvie Vartan and Trini Lopez.
1965 – "Beatles For Sale" number 1, 5th week (UK Record Retailer chart).
– "Another Beatles Christmas Show" at the Hammersmith Odeon, London (two performances). Last day.– Article in "Melody Maker": interview to Brian Epstein by Ray Coleman, under the title 'Brian Epstein predicts: "I give the Beatles two or three years more at the top."
1967 – Jane Asher leaves England for a 3-month tour of the US with the Old Vic.
1969 – Last session of rehearsals at Twickenham Film Studios.
1970 – The police closes John's exhibition at the Arts Gallery, London, under the charge of obscenity.
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